The low-light performance when shooting video on the a6600 is better than typical. Note, shooting at this frame rate does produce a slight blackout between frames. Sadly, the movie record button remains in the same awkward recessed position on the camera. Sony A6600 has a big advantage in this regard because it has a sensor based image stabilization (IS) which means that all the … If you want to avoid this, then 8 fps is best as it delivers better live feedback between frames. At 30dB, where we measure ISO for our Sports score, the Sony a6600 has around a +0.3 EV advantage over the Olympus, but only around +0.1 EV over the Canon. There’s also some evidence that the Sony A6600 has changed its behavior in sensitivity from ISO 200 onwards. Sonnar® T* E 24 mm F1.8 ZA, E 50 mm F1.8 OS Manny notes that this combination is likely the best you can get in terms of a Sony APS-C setup, and it's hard to disagree. For those looking at the previously released a6400 that were initially hesitant on diving in due to lacking stabilization, this is your camera. Get answers to your questions in our photography forums. Nonetheless, it’s good to see this highly popular feature return on this camera. There’s also Wi-Fi and USB 2.0 data transfer, plus NFC for connection to mobile devices and Bluetooth for location data acquisition. It represents the merging of two distinct releases from the manufacturer, the a6400, and a6500. Expert news, reviews and videos of the latest digital cameras, lenses, accessories, and phones. It scores camera sensors for color depth (DXO Portrait), dynamic range (DXO Landscape) and low-light sensitivity (DXO Sports), and also gives them an overall score. Mini HDMI is the preferred option here, as this is incredibly cumbersome. Even though the camera has image stabilization, it makes only a marginal difference on rolling shutter in 4K. What are some of the goods, bads, and uglies of the Sony a6600? Typically, 3.69M dot viewfinders are more in line for what we expect for a flagship body released in 2019. Though not perfect, namely due to the screen articulation and rolling shutter. All rights reserved. In the end, it is an excellent mid-range camera, one that’s not quite as expensive as their larger full-frame a7 cameras. While this is sufficient for most users, it is easily outclassed by rivals at this price point. Whenever that happens, it will likely have the same new 32.5MP sensor as the Canon M6 Mark II, which we’re waiting to test. If your budget allows purchasing this camera, the reality its the absolute best offering in Sony’s APS-C lineup to date. Sony has even introduced a visual Custom Key Settings menu, thankfully. The camera still retains two custom buttons on the top, C1-C2. 2019 was Sony’s opportunity to assert its dominance in the APS-C sphere, and that they did by delivering the best APS-C camera to date. However, the reality is that real-time autofocus works so well that it can easily never be disabled. VIEW ... Sports (Low-Light ISO) 1497 ISO. Lens range is a little limited, though it can access Canon’s vast EF range using an EF-M adapter. Sony A6600 and Sony A6000 have the same Sony E lens mount and currently there are 123 native lenses available for these cameras. Instead, you must set up a custom key to change the default functionality of the adjustment dial. The camera now shares the best colors and tones in the series to date. The a6600 further differentiates itself by offering in-body image stabilization, which is still a rarity among APS-C cameras. Paired with a Sigma 16mm f/1.4, the a6400 is a low-light monster, creating images and videos with beautiful contrast and detail. In this review, we have compared the Sony A6600 to its most relevant rivals from other brands. The A6600 achieves a maximum dynamic range of 13.4 EV at its expanded setting of ISO 50, and it also has an excellent high ISO dynamic range. If you mount a shotgun microphone or receiver onto the hot shoe, it blocks the majority of the screen when articulated, rendering it mostly useless. Like the Sony, Canon’s mirrorless M models also adopt an APS-C size sensor, though they’re typically slightly smaller than the Sony sensors by a few millimeters. Especially when shooting in low light conditions or at very high shutter-speeds, you should look for a lens with an aperture below F2.8. Its release takes all the best technology and improvements from previous iterations in the series, combining them into a single unified body. In-body image stabilisation offers support on five axes, and, claims Sony, up to five stops relief. This addition allows users to set one of the custom buttons to alter the functionality of the rear dial and control wheel’s default settings. Maximum dynamic range and color sensitivity of the M5 is 12.4 EV and 23.4 bits, respectively, while its low-light ISO score is just 0.2 EV behind at ISO 1262. In typical cases, the measured sensitivity is lower than the marked (manufacturer’s) setting, presumably to protect highlights. Like the previous cameras in the lineup, it experiences the same marginal crop when shooting 4K 30p or 1080p above 60p. A continuous shooting rate of up to 11 fps is possible, with AF and auto-exposure saving to two slots—albeit these are for Memory Stick Pro and SD (with support for the slower UHS-I standard). The question remains, is enough to justify the demanding price? The reality is that nothing like this existed before its release. We use cookies and similar technologies to recognize your repeat visits and preferences, and analyze traffic. As Canon’s top-of-the-range APS-C mirrorless camera, costing around $1000 when launched in 2016, the EOS M5 is aimed at much the same type of user as the Sony A6600. The A6600 doesn’t just have good low light performance up its sleeve, though. Sure, the Fujifilm XT-3 is touted as the overall better APS-C camera. Can this camera defeat one of the most popular camera releases of 2018? In low-light scenarios, the A6600 still focuses quickly and we only noticed a bit of hunting when shooting distant objects or at full zoom. It does not support 10-bit video whatsoever, whether internal or external. Sony has even generously endowed the camera with much of the capabilities from their higher-end full-frame cameras. Specifically for Product & Still life Photography. Vario-Tessar T* E 16-70 mm F4 ZA OSS, Sony NPFZ100 Z-series Rechargeable Battery, Sony 64GB High Performance Class 10 UHS-1/U3 SDXC. Bar none. Gone are the days of the camera being front heavy when using longer lenses or mounted on a tripod. Interesting. Unfortunately, the release of this camera does little to change or improve on the overly complex organization. This construction provides excellent weather sealing and resistance to both dust or moisture. Surprisingly, this system provides the same confidence seen in Canon’s acclaimed Dual Pixel CMOS AF. Eye AF is now enabled by half depressing the shutter. As for the body design, there have been some changes to the ergonomics, including a larger handgrip to accommodate a higher-capacity (2280mAh) Z battery that is rated at up to 800 shots per charge. The Sony just breaches our 14-bit color depth threshold of acceptable image quality when set to ISO 12,800 (measured 9,275 ISO), which is around a stop lower than leading full-frame sensors, but slightly better than the Four-Thirds Olympus at 13.3 bits and just less than the APS-C Canon at 14 bits. Outside of this, the display also supports touch shutter and can act as an AF touchpad when composing via the viewfinder. The change of sensitivity behavior is clearly noticeable early on, between ISO 200 and ISO 400. The electronic viewfinder has the same standard resolution of 2.36M dots, the identical resolution found in the original a6300 released four years prior. Sony A6600 and Sony A7 II sensors have been tested by DxO and the results show that A7 II has a better overall score of 90, 8 points higher compared to A6600… However, it uses the same 14-bit RAW format, color science, and the latest image processing as the a7 Mark III and a9. E 55-210mm f/4.5-6.3 OSS The a6500 footage looked significantly better than the a6300 at high ISOs. Like the a6400 before it, this camera also removes the artificial 29 minute and 59 seconds movie record limit. Standard Sony, they’ve hunkered down with their standard logical structure and organization for the menu systems. Overall, it stays mostly true to the original compact heritage of the series and remains a small camera. Yet, it features much of their capabilities while maintaining the design cues from its original heritage, allowing it to remain small and compact in form factor. Physical and ergonomic changes are some of the significant updates seen in this particular release. While the autofocusing system of this camera is excellent, the tracking it offers is enabled solely via the touchscreen during video recording. Despite the notable differences in color sensitivities and dynamic range, SNR 18% results for all three cameras are similar, especially at high ISOs. Of course, as this is the flagship camera, one can easily question why it doesn’t inherit a more modern 26 or 30-megapixel sensor, which inevitably caused disappointment. In this case, the rolling shutter is very obvious when panning during 4K recordings. Ergonomics, specifically, are a notable improvement over its predecessor. It just oozes that aura of quality. This oversampling provides exceptionally sharp footage with resounding details and pleasing colors, all without any pixel binning. While the camera itself doesn’t introduce much grounding improvements in and of itself, it does pull from the best specifications from the predecessor. Overall, this camera does wonders to lower the barrier of entry in your pursuit of content creation. Though, its single UHS-I slot will be a slight hindrance compared to a rival who employs UHS-II compatible slots. While this is a small change, it allows for quick identification of the Spot AF selection on the screen. Metering mode refers to the way the Sony A6600 reads the light and sets the exposure. E 55–210 mm F4.5-6.3 OSS Opinioni, caratteristiche tecniche e foto scattate con la Sony A6600, una fotocamera mirrorless con sensore APS-C (1.5x) da 24.2 megapixels prodotta dal 2019. Due to IBIS low ISO is possible even I low light and that is richer color and no noise. It has a native ISO range from ISO 100 to ISO 32,000, expandable up to ISO 102,400. However, Sony removed the built-in flash found in its predecessor. Not great for low light and softness toward the edges. It could be a sufficient option for sports and wildlife applications. This system is the most notable addition to this particular camera. Despite the compact dimensions, there’s a 2.3 M-dot EVF and a 3-inch, 921k-dot touchscreen LCD that can tilt 180 degrees for vlogging and selfie use. The Sony a6600 is the new flagship model in Sony’s famous APS-C sensor mirrorless line of camera. The rear display has an unimpressive resolution of 921K dots, significantly lacking compared to the competition here. Thankfully, you can offset the hot shoe by adding a bracket, which eliminates this particular design flaw. Brutal. While many may claim it lacks the revolution typically delivered by Sony. Considering the majority of the competition has UHS-II compatible slots, some of which even provide dual SD cards, this is seriously disappointing. Click on the score chart above to open the Sony A6600 product page. There is a reason so many cameras come as kits with a mid-range zoom lens. Is the Sony a6600 a good beginner camera ? Sony aims the camera to videographers primarily, but it inherits features and capabilities photographers will appreciate as well. Over the previous iterations, Sony has continuously refined and updated both the feature set and performance of these cameras. Find out where the A6600 wins! Overall, it works well and makes for a camera that is a strong performer in low light and handheld video applications. As usual, you can create your own comparisons and in-depth analyses using our interactive image sensor ranking tool. With that, you can shoot as long as your battery and SD card allows. That slight difference makes this camera above all apc cameras recently launched. It’s interesting to compare the A6600 with the Micro-Four-Thirds Olympus OM-D E-M1 Mark II. It’s intriguing that that older model with a similar 24 MP sensor and on-chip phase detection autofocus has slightly better dynamic range and has significantly better color sensitivity throughout the sensitivity range. Yes. This mode allows users to shoot between 1-120 fps for stop motion or slow motion, respectively. Nonetheless, this is the future of what’s to come in this realm. Its stabilization plus added capabilities make it the superior choice between the two offerings. E 35 mm F1.8 OSS This implies that the Sony A6600 delivers much better results in low-light situations, but we are yet to see how this will play out in practice. The amount of times you may want specific control of focus is rare with this camera. Although not as fast as the flagship A9, the A7 III has proven to be an excellent performer in our tests which include sports, birds in flight and low-light events. However, in hand, you immediately feel the difference in build quality and form. low light possibilities with the Sony 35mm F/1.8 OSS Sigma 56mm F1.4 DC DN: In the 50mm range, there are a number of good full frame and aps-c choices. In challenging light, such as a combination of very bright lights and dark shadows, or backlighting, the a6600 delivered well-balanced exposures and dynamic range with great detail in most situations. As far as low-light shooting goes, the A6600 is one of the best APS-C cameras on the market, with usable shots up to ISO 12,800 and beyond. In terms of design, the camera follows the same logical structure and cues as previous iterations. It features Movie W/Shutter, allowing users to program the shutter as the movie start/stop button. There’s a lot to like about this camera, but a few other things are frustrating, too. At ISO 3200, for example, the Sony is still within our high-quality dynamic range threshold of 10 EV and has a dynamic range that is nearly a stop (+0.93 EV) wider than the Olympus and +1.33 EV wider than the Canon. It is an excellent choice for those seeking a hybrid all-in-one camera and one that appeals to both filmmakers or budding videographers alike. Overall, reading the manual is a must, and significant practice is required to understand this camera. E 18-135mm f/3.5-5.6 OSS Gone are the days of customizing a custom button to engage Eye AF, and now with the best battery life on an APS-C mirrorless camera, it’s a no brainer. Gone are the days of creating custom buttons or relying on Central Lock-On AF for tracking. Thank goodness. It has also ceded some ground to rivals’ smaller Four-Thirds sensors (albeit most likely Sony-made); as for APS-C, Canon has trumped Sony in resolution with a new 32.5MP sensor. Sony is the only manufacturer offering a single unified mount between both formats and the best option for the smoothest transition. Overall, battery performance has now doubled, Sony claims a 2.23x improvement over the predecessor, allowing the camera to now provides 810 shots per charge instead of 310. If you prefer composing via the viewfinder, it means you must first disengage then touch the screen to enable subject tracking. Not only that, but the system now sports both Face and Eye Detect AF for humans and animals, updated with Sony’s latest real-time tracking algorithms. Sony A6600 side by side comparisons. And if you’re looking for their best all-in-one mirrorless camera or APS-C camera specifically, this is it. It shoots 4K UHD up to 30 fps and 1080p full HD up to 120 fps. DXOMARK invites our readership (you) to post comments on the articles on this website. Click here to open our interactive DXOMARK image sensor ranking tool. It can now shoot 4K video in HDR as well, further improving the camera’s dynamic range and adding slightly more detail. This camera does little to improve on the available video frame rates, bit rates, or codecs to make the camera more competitive at this price point. With a well-rounded feature set, the Sony A6600 is an attractive camera at a relatively affordable price. Dating back to 2016, it’s still in range but lags behind the A6600 sensor slightly in all three categories. These additions allow the camera to deliver crisp and clear images with excellent dynamic range. The Sony A6600 is the follow-up to the A6500, and is now the premium camera in the company’s range of rangefinder-style, mirrorless interchangeable-lens models that feature an APS-C sensor. 2019 was Sony’s opportunity to assert its dominance in the APS-C sphere. Like its older brother, the Sony a6600 features a 5-axis image stabilization which is very useful for handheld shooting. I didn’t get to try the Sony A6600 in tougher conditions like low light, though, or have a look at its Raw files, so that’s something that’ll have to … This addition allows users to finally monitor recorded audio without the need for external devices, such as a recorder, to do so. It puts them into a better build quality with a larger grip and robust autofocusing system. Sony continues to stay ahead with its 24MP APS-C Exmor sensor, particularly with regard to low-light performance and high ISO dynamic range, though overall image quality is largely unchanged from earlier models. In terms of video, it boasts a broad range of capabilities and excellent flexibility. The camera still features the same 24.2-megapixel CMOS sensor found on all other previous a6000 series cameras. While this resolution is more than sufficient for most users, the sensor itself suffers from a significant amount of rolling shutter. Looking for a Sony A6500 vs Sony A6600 comparison? The A6600 achieves the maximum dynamic range at its expanded setting of ISO 50 (ISO 70 measured), though ISO 100 offers an identical result. Overall, users should seriously consider taking care when shooting in 4K, be it vlogs or run & gun style videos. The A6500 stitches multi-shot panoramas. When enabled, the camera can track complex movements of subjects across the frame in both photos and videos. The A6600 performs extremely well in low light. Also, if an object or other subjects momentarily obstruct them, the system still confidently maintains proper tracking. In addition, the Sony FE 70-200mm F2.8 GM & FE 100-400mm f/4.5-5.6 GM OSS lenses are the ultimate options with pro-grade image quality and build, but they are too expensive for the Sony a6600 users. The A7 III features a vast array of focus areas: 693 phase detection and 425 contrast detection points that cover 93% of the frame. in our low-light tests, we look for where noise is introduced into the image and when that noise starts to color shift, affecting the color and sharpness of the image. But, in practice, it is quite cumbersome when filming complex motion across the frame. Nevertheless, the Sony A6600 is capable of producing superb-quality images, and the inclusion of its Real-Time Tracking Autofocus for both stills and video, along with a larger battery over its predecessor, make it an appealing upgrade over the A6500. This gives the Sony an advantage when capturing high-contrast scenes at higher ISOs (such as when hand-held, for instance). Thankfully, users can assign the shutter as a movie start/stop, which is an excellent and much needed alternative. Interestingly, it even sports the most comprehensive color and dynamic range control available of any camera to date. However, it does feature a slightly deeper buffer, now at 40 RAW + JPEG images in a row. The immediate question is, how does it compare to the rest of the entries in this lineup? If you want a lens to interchange between your A6600 and a full frame camera, then you should look at the Sony 55mm F/1.8 , but no reason to spend that much if you’re only using the lens on the A6600. When reviewing images in Playback mode, the camera now jumps directly to the focus point, which is helpful to identify where the camera focused quickly. It features S-Log2, S-Log3, and HLG profiles from the a7 Mark III and a6400. Sure, it’s not a new generation in Sony’s APS-C lineup yet. Like most users, we too hoped for a redesign here. However, it does create a slight departure from the traditional design during the process. The combination of the improved build plus increased weight, and a larger grip makes the camera incredibly well balanced. Not only that, but the touchscreen still lacks menu or user interface interaction. All three in our database—the M100, the M5, and the M56—perform similarly, though the 24.2MP Canon EOS M5 is arguably the closest direct competitor to the Sony A6600. And, unfortunately, it makes using the camera in the electronic shutter mode useless. For some users, this addition alone is enough to justify upgrading to the new camera. Sure, the 16mm lens has a ton of distortion, but that's to be … But, with the decision to remove the popup flash, space now goes to the addition of an extra custom button, C3. The a6600 is nine years in the making and aims to be the culmination of the best Sony has to offer in their APS-C mirrorless lineup. It features the identical OLED electronic viewfinder from the a6500 with a resolution of 2.36M dots. The camera only has a single SD card, which, unfortunately, is only UHS-I compatible. It has built-in interval shooting, replacing the need for the timelapse app found on the predecessor. It’s positioning on the far left corner prevents your nose from unnecessarily interacting with the touchscreen during use. However, if you take ease while panning in 4K, you will be pleased with its stabilization, robust autofocusing, headphone, and microphone ports. While not identical, it does provide enough versatility for manually controlling exposure. This should help with stills shooting in low light, to be sure, but also combines with excellent autofocus tracking to make it the best crop-sensor video shooter Sony currently sells. These profiles provide flatter footage, which lends themselves to better post-production grading and highlight roll-off. But it works in its favor to deliver the best grip in the series to date. On paper, its specifications suggest a marked improvement over the predecessors, no questions there. It now features a headphone input, making it the first in this lineup of Sony cameras. Overall, this addition is one of the primary highlights over its predecessors, and it’s number one upgrade over earlier models. The camera can predict movement far beyond the capabilities of these traditional systems and its predecessors. However, as this is only the second iteration in the series to feature built-in stabilization, it doesn’t perform to the levels seen in Panasonic or Olympus cameras. Sony A6600, Samyang 45mm f/1.8 FE AF | 1/80 sec hand-held w/ IBIS, f/1.8, ISO 6400. Instead, this must occur in post-production. E PZ 16-50mm f/3.5-5.6 OSS, E 10–18 mm F4 OSS Infuriatingly, Sony still ignores years of smartphone innovation and overlooks, extending the touch capabilities even to support swiping between images during playback. Scopri il prodotto Fotocamera α6600 premium con APS-C e attacco E di Sony & esplora tutte le caratteristiche della gamma Fotocamere. UHS-I is the slower format. In today’s post, we find out what’s changed, what’s new, and how it fits into Sony’s existing lineup of mirrorless cameras. That’s not the case here, however. Even so, the Sony A6600 captures an extra +0.56 EV more than the smaller Four-Thirds sensor in the Olympus at its lowest sensitivity setting, ISO 200 (measured ISO 83). The A6600 sensor is not BSI but uses thin copper wiring which is supposed to improve conductivity, enhance circuit processing and optimise light gathering (so a similar end goal to the BSI structure). In the end, they’ve done well to create the top-performing APS-C cameras available to date. In multi, it considers the whole frame and sets exposure according to internal algorithms programmed in camera. Of course, if you’re just looking for a solid camera with great image quality, great autofocus performance, and a few other useful features such as stabilization and … It only shoots 8-bit 4K video, 4:2:0 internal, and 4:2:2 external. Sony rates the system to deliver 5.0 stops of stabilization, allowing users to shoot ½ exposures handheld. The a6600 has 425 phase and contrast detection po… It’s a mirrorless camera with a 24.2-megapixel CMOS sensor, stabilization, unlimited 4K video, and the longest battery life of its peers. A maximum dynamic range of 13.4 EV is excellent for this size sensor, and like most typical sensors, it achieves this score at its lowest sensitivity. It also makes for an excellent replacement for those looking for a capable travel option in place of a full-frame camera. SONY a6600 has IBIS which makes pictures more sharp and perfectly in focus. I remember when the a6500 was first announced Sony claimed it would have better low light performance, but so many reviews of …
2020 a6600 low light