The guitar was built using a 1963 Stratocaster body and a 1962 neck, even though Stevie believed it was a 1959 Stratocaster. He acquired this guitar in the fall of 1985, and it is said to have been bought in either Baltimore or "The Boathouse" in Norfolk, Virginia. Stevie was known to have been infuriated by the marketing. Stevie decided to replace the neck with the mid-’50s-style maple neck given to him by Billy Gibbons. The headstock was fitted Fender Schaller Elite Gold tuner pegs. He was assisted by Swedish guitarist Gordon van Ekstrom. Its fingerboard is ebony with a mother-of-pearl inlay that read "Stevie Ray Vaughan". He was later photographed playing this guitar in other early projects, like Blackbird, the Nightcrawlers (where he opened for ELO, KISS, and ZZ Top), and Krackerjack.Before Stevie realized his signature fondness for Strats, the Riviera was one of Stevie’s main instruments and remained in his collection long after he stopped playing it regularly. Only 350 of these guitars were made and it was made famous by Lonnie Mack.Photograph Â© Byron Barr. These are wound to the specs SRV's guitars were rewound to in 1985. Outside of the cover, few — if any — photographs of Stevie playing this guitar live (or in private) are known to exist. He also painted the whole body yellow, and installed Charvel brass tremolo system. Charley then gave the guitar to Stevie in early 1981, who added SRV decals where the two pickups would normally be placed, just under the strings. Kurt Hendrick was a local guitar maker from Houston, who started making guitars in his garage for Texas musicians.He was inspired greatly by Billy Gibbons and the guitars were well known for their radical look. They're full of tone. Age: Number One was disassembled by Fender Custom Shop employees in 2003, and they stated that the neck is from December ’62 and the body is a ’63. Another major complication to Hopkins’ explanation that the Texas Flood Tokai was a possible endorsement guitar is that the 1984-’85 timing of this deal puts Tokai in the middle of a headstock change for their American-distributed guitars. This guitar was designed by Stevie himself. In fact, a Stevie-owned Tokai that sold at auction for over $20,000 (with COA and photographic proof) was, in fact, a Tokai AST, which featured an altered, non-vintage, Strat-style headstock. This guitar actually belonged to Stevie’s friend and personal assistant Timothy Duckworth. He asked for the 4-string bass neck to be converted to a 6-string neck prior to delivery.He played the guitar at the Pacific Amphitheatre show in Costa Mesa, California on 2nd October 1988, where he was joined on stage with Carlos Santana,  and The Fabulous Thunderbirds.Video here: https://www.youtube.com/watch?v=GoclvCQJKig&t=2s, A very rare occurrence with Stevie playing the 6 string bass version of the Danelectro Longhorn. This one-off doubleneck guitar was used for the song "Pipeline" by Stevie Ray Vaughan and his brother Jimmie Vaughan, on board the riverboat SS Presidente, at the 1987 Jazz & Heritage Festival in New Orleans, LA. Stevie's Tokai Talbo Blazing Firebird may have been another endorsement guitar, given to him from by the manufacturer. It was refinished by the previous owner with a dark natural color, and it had arty inlay behind the bridge. Charley then gave the guitar to Stevie in early 1981, who added SRV decals where the two pickups would normally be placed, just under the strings. The plan worked out, and they presented the guitar to Stevie on October 3rd 1980 at Steamboat Springs – nightclub he often played at.The guitar was originally a 3-tone sunburst maple-neck model with a rosewood fingerboard. Unfortunately it cost $350, and he couldn’t afford it at that time. It was to be a prize at one of Stevie's shows, but he liked the guitar so much, he gave away another one of his guitars.This guitar has a butterscotch colored finish and originally had a plain white pick guard, which was later replaced with a non-original tiger-striped pickguard made by Rene Martinez, Vaughan's guitar tech.The guitar was stock except for the tiger-striped pickguard which resembled the same pickguard Buddy Guy had on his butter-colored guitar at the time.The guitar, with the original pickguard can be seen on the front of the Live Alive album cover.Stevie used this guitar when having problems with Number One, or regardless from that – live for songs such as “Leave My Girl Alone” and “Superstition”. The guitar is actually historically significant for two reasons and even without the fact it was Stevie's, it is worth a lot. Famously, it popped back up on video over a decade after Stevie first played it in a fiery live version of “Hideaway” with two pickguards — one for the top and one for the bottom.Left: An early photo of Stevie and during a concert with BB King. The next year, following a concert at the Garden State Arts Center in Holmdel, New Jersey, a stanchion fell onto Vaughan's rack of guitars, splitting the neck from "Red" that was installed on "Number One." Unfortunately that neck was broken into pieces at a show in Holmdell, New Jersey, when a piece of stage equipment fell on several of Stevie’s guitars. Scotch is a 1961 Fender Stratocaster used by Vaughan for the last 5 years of his life. With that said, there is a "live" photo of the Texas Flood guitar in Hopkins' book from 1982, so it appears that he did use it live up until a year before Texas Flood was released. These are all 52mm spaced magnets or "F" spaced and the middle is RWRP for quiet operation in the 2 and 4 positions. The guitar was originally set to be made for Stevie in 1979, but the plan was dropped when Vaughan started using his middle name "Ray", as he was known as "Stevie Vaughan" at the time. He got it from the owner of Ray Henning’s Heart of Texas music shop in 1973, and it quickly became his main companion. This guitar first caught Stevie’s attention around 1979, when he went with couple of friends to a pawnshop in Austin, Texas. Craig Hopkins posits that an endorsement deal was being explored at the time, and five Tokai guitars plus a of couple basses were negotiated as a goodwill offering toward Stevie signing with the brand. This was supposedly the guitar Stevie played on the album versions of “Honey Bee” and “Tell Me”, and live on DVD “Live at Montreux” for the last song on the set – “Collins Shuffle”. Vaughan always claimed it was a 1959 model, since that date was written on the back of the pick-ups; Rene Martinez, who maintained the guitar since 1980, saw the year 1963 stamped in the body and 1962 on the neck. The Catalyst had a single-coil pickup in the neck position and a humbucker at the bridge. Once, when presented with the poster by a fan, Stevie wrote “I PLAY FENDER” over the Tokai logo. According to one source Fender could not get clearance from Hendrix's Estate, so the project was abandoned. Various options were discussed, including having the pickups in the shape of Stevie’s initials. Stevie's 1928 National has been rumored to once being belonged to Blind Boy Fuller. He used it for the track Oreo Cookie Blues, dueting with Lonnie Mack. Stevie bought this guitar for his girlfriend Janna to learn to play on in 1986. Where this story starts to get interesting is the lack of available information on Stevie’s most famous Tokai: the sunburst, maple neck ‘50s-style Springy Sound model on the cover of Texas Flood. It has a white strat-style body with a rosewood neck, two controls (volume and tone) and Danelectro lipstick pickups. The pickups are the least of your concern for SRV tone. Timothy recalls that Stevie’s hands were so strong that he accidently cracked the neck.This guitar is now at The Hard Rock Cafe in Dallas. This was Stevie’s main guitar. But using a modern stagger so they will work correctly with today's strings and flatter radius necks. The Bass VI never really caught on and was discontinued in 1975.

stevie ray vaughan pickups

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