But when you combine them they really come alive. A Sweetwater Sales Engineer will get back to you shortly. Locating, purchasing, restoring, and maintaining vintage gear is time-consuming and costly. The user needs to juggle three metal toggle switches to select the appropriate source. The bottom-most two knobs govern the HF shelf: Off, or 8, 10, 12, 16 or 20 kHz, this time with ±18dB. The Golden Age Pre-573 MKII is a refreshing update, with a lower noise floor and greater dynamic range. Finally, there’s an alternative Pre-573 MkII Plus model with Carnhill transformers. 0% Financing and FREE Shipping for your Golden Age Project PREQ73 Premier Microphone Preamp & EQ! Mastering Essentials Part 3 - How loud should I master? Yes, it would be possible to pay significantly more money for slightly more polished Neve clones, but if you can’t get a cracking sound out of these tools it really isn’t the tools you should be blaming! Today, this coveted tone can be yours for a song, with the Golden Age Project PREQ73 Premier. These venerable circuits helped define the big, punchy sound of ’70s rock — and countless recordings and live concerts ever since. There’s 70dB of gain available via the main switched rotary Gain control for mic signals, from 20 to 70 dB in 5dB increments, and a further 5 or 10 dB of gain can be applied via a toggle switch — so the total gain range is actually 20 to 80 dB. Store Hours, If you have any questions, please call us at (800) 222-4700. If you’ve coupled the preamp with an EQ-573 module (more on that later), this output control allows you to adjust for any overall gain that’s added by that module courtesy of EQ boosts. Fortunately, this small, family-owned Swedish company makes gear the same way it was made back in the day — at an amazingly gentle price. And don’t forget that both the compressor and the preamp, one of which you’ll be using with this EQ, feature 30kHz Air boost options. Another interesting tonal option is presented via the three-position Air toggle switch: the up position engages a 6dB 30kHz bell boost, which provides a fairly subtle lift to a signal well below that frequency; the central position switches that facility off; and pushing the toggle down inverts the signal polarity (you can’t apply Air and polarity inversion simultaneously). The standard model I was sent for review contained Chinese-made transformers, but as with the preamp a more expensive ‘Plus’ model is available, with Carnhill models fitted. R1 MKII. But if you push it hard it can add a real smack. For review Bo sent us a Purple Audio Sweet 10 500-series power supply/chassis already populated with two full GAP recording/processing channels. Before I delve into this review of their latest 500-series modules, it’s worth pointing our that, without exception, I’ve always been impressed by the quality that’s on offer from GAP for the asking price. It’s a console-style EQ for broad tonal shaping rather than precision sculpting and the bands overlap usefully: it’s possible, for example, to apply a chunky low-end boost at 55Hz, while also high-pass filtering at 50Hz to pull back down any low-end detritus that’s been boosted along with the signal. I'm looking to buy a Neve type preamp and am interested in both the new Golden Age Premier PRE-73 and Warm WA73 ranges. Golden Age Project (GAP) were one of the first of the modern crop of affordable-clone manufacturers and their raison d’être seems to be to make high-quality discrete preamps and processors, based on classic designs but at a price that project studio owners will find affordable. As the Comp-554 is a ’double-wide’ unit, the two full channels described above together occupy all 10 of the Sweet 10’s module slots. 500-Series version of the Golden Age Pre-73. COMP-3A JR. Sweetwater's Sales Engineers are regarded as the most experienced and knowledgeable professionals in the music industry, with extensive music backgrounds and intense training on the latest products and technologies. The gain control layout borrows from the Neve 1073, with three 'off' positions, the one between the 50 and 55dB positions being for a second mic gain-stage. Finally, there are two more small metal toggles. Each channel featured a Pre-573 MkII mic preamp, a Comp-554 diode-bridge compressor, and two EQ-573 inductor EQs — one to process the signal itself, and another to sculpt the compressor’s side-chain. Golden Age Project Pre-573 MK2 DBX 580 Mic Preamp. Add the compressor, and you have such a versatile, controllable channel strip that, again, seemingly has warmth on tap. PreSonus StudioLive 32SC Series III Mixing Console, Roger Mayer 500 Series: 68MP, 58LM, 456HD. Phone Hours | With just one preamp and one EQ you have a very capable tool to add bags of character to any mic, line or DI signal, and to massage a source to fit your mix. What is a "hybrid" audio interface anyway? The last position allows you to use an EQ-573 module to fine-tune the internal side-chain signal. All rights reserved. At this price per module, there are quite a few characterful preamps, EQs and compressors, from the likes of JoeMeek and Warm Audio, but none I can think of deliver that Neve-esque character quite so obviously. That amount of front-panel space is certainly justified: not only is there more circuitry to accommodate, including three transformers, but the Comp-554 also requires a second input from the host chassis to accept external side-chain signals. From beginners to rock stars, millions of music makers rely on our Sales Engineers' expertise to help achieve their musical goals.

golden age pre 73 500 series

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