Learn more The more crinkles spread over the height of the ribbon, the more room there is for give. Happy customers, one piece of gear at a time! The R92 was designed in response to requests (from some guitar-playing AEA employees) for a mic that would sound great for recording guitars when placed right up against the amp grill. When I first pulled the R92 out of the box, I was shocked at how light it was. I put it up against a Coles 4038, which of course is a great sounding mic too, to get a sense of the differences. Mic Database | Mic Reviews | Microphone Sale, TapeOp Issue #56/November, 2006 | by Mike Caffrey, See specifications, reviews, & mods for the AEA R92. This website uses cookies to improve your experience. The AEA N22 gives you awesome ribbon mic performance, affordably. Since this was straight-ahead jazz, we had the whole band playing in the same room. I got a guitar tone and A/B’ed between the Coles and the R92. Sweetwater Sound Well, great sounds great, so “What does it sound like?” is the better question. The RCA 44’s low-end response starts to rise when it’s within 6 feet of the source. I had never really done much recording using ribbon microphones, other than using a Royer 121 on a guitar cabinet. Offering a classic ribbon character in the form of a near-field, the dual-tone R92 functions as a versatile creative tool with innumerable possibilities. The smooth side is more indicative of classic ribbons offering a fatter midrange response. I've reviewed several impressive ribbon mics from AEA in these pages before: the classic reissue R44CX, the stereo R88 and the award-winning R84 — from which the R92, reviewed here, is effectively derived. The AEA R92 was part of our $60,000 Ribbon mic shootout. Ribbons have little horizontal crinkles which give a little as the ribbon moves back and forth. I imagine the AEA R92 would be the closest in sound to the 46. The AEA R88 stereo ribbon mic stuns engineers with its clarity and natural stereo image. To learn more about our cookie policy, please check our Privacy Policy. Hooley Dooley. The Bottom Line: The AEA R92 may look like a giant pill but it'll make your ears feel plenty good. The AEA R92 is small and light — easy to position tightly or out on the end of boom. Yet, he seemed most proud of his AEA R84 ribbon microphones. So its response is optimized for sources fairly far away. (The Coles 4038 resonates at 45 Hz and has fine-meshed screens for air-damping.) Your ear is pretty good at hearing in that range, and more importantly, that’s where your ear starts to compress. Wes Dooley, the chief engineer and president of AEA(Audio Engineering Associates), began making faithful reproductions of the vintage RCA mics like the 44BX. The AEA R92 is designed to be an instrument mic. Plug it into AEA's RPQ500 microphone preamp module and get the most out of it! Obviously, they outwardly borrow in look and feel from the RCA 77-DX in their AEA R84 and AEA R92. When they get hit with high-frequency energy (e.g., cymbals), they’ll ring in some very narrow bands in that 8–12 kHz range. It’s definitely worth checking out, and it should by no means be treated as just a close mic or just a guitar mic. The problem lies in that vintage ribbons mics are extremely hard to find and maintain, as well as not being up to snuff with the recording rigors of today. Longer ribbons handle bass better. If you are new to ribbons, you are in for a treat! The front with its crispness offers plenty of high end detail while the rear side of the mic offers a more traditional smooth ribbon sound. I bought the R92 on a whim, and have been consistently blown away by its qualities. Everything you love about Sweetwater in the palm of your hand. The R92’s design for close mic’ing was very helpful in reducing drum bleed into the mic and still getting a great trumpet tone. After getting some time to review the AEA R92, I think I understand. Cut to Ribbon From the moment I plugged the R92 into a preamp and turned up the monitors I could immediately tell this was no ordinary ribbon. Yes, they got that giant pill look. Also, the R92’s long ribbon is tuned to resonate at 16.5 Hz. He’s been hugely succesful do in part by refurbishing parts for the RCAs, and then improving the specs by building his own series. According to the manual, the R92 is optimized for distances of 6"-12", and it does sound great on guitar amps, even at proximities approaching zero. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. I had never really done much recording using ribbon microphones, other than using a Royer 121 on a guitar cabinet. The lower the resonance, the more you just hear the actual sound. Learn More. I'm not after a very modern sound, which is why I'm not after a 121 at the moment. Exclusive deals, delivered straight to your inbox. Our final choice ended up being the R92 into a Pendulum Quartet II. Once I learned what this mic is all about, I realized its light weight is a feature and part of its identity. 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 All This Thread Reviews Gear Database Gear for sale Latest Trending. In contrast, a condenser mic has a tensioned diaphragm. Justin consistently chose the R92 out of the mics we compared. ($900 MSRP; AEA). , AEA R92 Review The R92 is fast becoming a studio staple. AEA’s popular R84, on the other hand, has its flattest response much closer to the source — in the two-foot range. We tried a few different combinations of mics and preamps, and regardless of mic preamp, Justin consistently chose the R92 out of the mics we compared. That’s why bringing up the high-frequency shelf EQ on a condenser can be unpleasant and lead to sibilance, but if you EQ a ribbon to have just as much high end as a condenser, the ribbon will sound smoother. I always wanted to hear what the classic ribbons, like the RCAs or Coles microphones sounded like on vocals and guitars first-hand. AEA's popular R84, on the other hand, has its flattest response much closer to the source-in the 2 ft range. Because it’s unusually long, the R92’s ribbon has the ability to move further before it hits its elastic limit and is damaged. It sounds great on a lot of other sources as well. The R92 on the other hand is kind of like the back side of a Royer 122 and has a more modern and balanced sound and is not as prone to proximity effect as most ribbons. Store Hours, If you have any questions, please call us at (800) 222-4700. I had a session with a great trumpet player named Justin Ray, who brought in the most recent Terence Blanchard album as a tonal reference. All This Thread Reviews Gear Database Gear for sale Latest Trending. The AEA R88 stereo ribbon mic makes a habit out of stunning engineers with how big of a sound a single mic... What's the Difference Between Concert and Soprano Ukulele? The Forums. When you buy products through links across our site, we may earn an affiliate commission. According to the manual, the R92 is optimized for distances of 6''-12'', and it does sound great on guitar amps, even at proximities approaching zero. Home. Mastering for Vinyl: An Audio Engineers Guide, Choosing the Best Thunderbolt Audio Interface on Any Budget, First Look: Epiphone's New Prophecy Guitars. Pro Audio Review I’ve been a huge fan of ribbon mics for well over a decade but if anyone ever told me that a ribbon could capture high frequencies the way the R92 captures high frequencies, I would have called them a liar. Like a tightened drum head, a stretched diaphragm also has a natural resonance. I’m sure you’ll like it in all the classic ribbon mic applications. Its swivel mounting system makes all sorts of positions and angles possible. The front and rear lobes have slightly different tones, with one offering a higher frequency response for a “crisp” sound and the other rolling off the highs for a “smooth” sound. Get Directions | The Forums. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. The R92 also sounded great in front of a drum kit at navel height or simply shoved in a reflective corner of the room with the gain turned up. The R92’s high SPL capability is ideal for a fully-cranked amp, and this is where the AEA really comes into its own. There is a place and purpose for each of these microphones. AEA R92 or Royer R-101 I guess I'm really looking for a great single guitar cab mic, as well as something to complement my Coles 4038 and R84. I could definitely tell the difference when using the front lobe on a female vocal which gave an intimate but well-defined sound without yielding harsh sibilance. Compared to the Coles, the R92 had a presence that felt like getting hit with a very knuckley fist. It might be the best loved mic to come through for review in the history of Mojo Pie. Its close mic’ing strengths also made for more consistent positioning of the trumpet in the room preventing a change in location and therefore a change in the phase relationships that we had established while getting sounds at the beginning of the session. Finished in space-age anodized aluminum and fixed in an integral shock-mount with attached cable, the R92 looks and feels as stylish and solid as the R84 and R88 — the two previous AEA efforts that share the R92…

aea r92 review

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