would the look you describe be similar or would it be better with the 20mm? 35mm on a crop factor is not wide enough, and 50mm on full frame is also not wide enough. Very well written and interesting article. Hey Ken! I use the 20mm LUMIX lense amongst others with my AF100. You’ll also want to set your white balance to approximately 5600K. However just because long lenses and shallow DOF are abused, does not mean that they are intrinsically uncinematic. What would be the difference with a 40mm in APS-c mode? But I would say the problem is precisely because people are looking at lengths and numbers first so they can mimic something – but not looking at why those technical choices were made in the first place. In another sense you might say the 30mm focal length is a large scale portrait lens. You know how difficult that is? I don’t shoot narrative very often but I did buy the 28mm to shoot a commercial where I’m trying to emulate a 1960’s look and now I’m so glad I did. I *think* he means as far as spherical lenses on super 35, too. In other words, if you want to capture an image in 2.35 and leave a ton of negative space on one side and have an actor on the other side of the frame, you could effectively achieve that look with almost any lens. ”, “If I buy the URSA mini pl with 4.6k sensor (super 35) and I wanted to So versatile, and my personal favorite focal length… In addition to 28mm of course. if so, what would you recommend for the GH5 ? Thanks Santosh! Thanks for the note Matt! I have used the Contax Zeiss 28mm and love it. Yes! Thank you so much for your excellent article. To make a short story even longer, what would you recommend, on a budget, to achieve the look I’m going for? Hey Bruce! The reality though, is shallow depth of field isn’t a new development. As long as they can balance okay on your gimbal, you should be good to go! If the lens you are using is a 28mm lens, you should be getting the right field of view on your APS-C sensor. All of the wide angle stuff looked great (back then). Sorry I use Google Translation and I hope you understand me Wrestling with focal lenth “looks” of 40mm v 50mm, I wonder if aspect ratios throw another variable into the mix. Unfortunately, shooting on wider lenses (and for some even normal lenses like the 35mm) has become a lost art. Exactly – you would want to shoot in Super 35mm (APS-C) mode. * PayPal credit is only available on personal PayPal accounts. It’s reassuring that zoom lenses that aren’t This is not to disagree with your point; I think your article is a good corrective to the excessive used of shallow DOF. I do enjoy your take on things and writing style. That said, difference won’t be dramatic, and I would argue that a 40mm on a full frame sensor is still going to look really great and will give you a nearly identical field of view. I agree with you Keith – it gets confusing since FF is of course from the photographic world. I think it’d make a great ‘normal-ish’ lens on the BMPCC/BMMCC (Speedboosted) or 5D Mk IV. There are cases where this can work (for example the film ‘Detachment’), but typically if you want that cinematic look, it’s all about emulating what’s been done for ages on larger scale productions. Good luck! There will be differences in the image characteristics in many ways (most notably depth of field) based on the sensor size, and the perspective will always be a little different too, based on the camera and lens combo. Showing slide {CURRENT_SLIDE} of {TOTAL_SLIDES} - You may also like. I don’t work in narrative, but I can see some good applications here for the commercial and editorial work I do. Or the PL-version ? Copyright © 1986 - 2020 | CVP Group E&OE - 30/11/2020 2:27 amSubject to status. Click here to learn more! Otherwise a 20mm (with no speedbooster) will get you close when you consider the crop factor. I absolutely love that lens… Has an almost 3D quality to it that you don’t see with most other lenses at that focal length. Are you saying that I could use a 28mm lens as the best all in one option? For me it is the perfect wide lens focal length on M4/3. I could definitely see that. Any idea of the “right” lens for this particular cinematic “wide-normal” look for the Panasonic GH5, which will now use the entire width of the micro 4/3 sensor for 4k video? Hi Noam – I think I got it now ! et Cie, S.C.A., 22-24 Boulevard Royal L-2449, Luxembourg, Please enter your email address below to sign up for product news, promotions, updates and events, Sigma 28mm T1.5 FF High Speed Prime Cine Lens - Canon EF (Available in Feet and Metre Scale), Please enter your UK postcode or select different country above. VISTA PRIMES. I am all for making creative choices that serve the story and characters best, and that is certainly how I approach my own work. Got one to sell? Before that time It was normal to use short tele lenses for movie making. £23.93 postage. I really love the 24mm rokinon lens on the Canon rebels. Did you use the Nikon Nikkor 28mm 2.8 on the Panasonic Lumix GH2? Especially for my first comment! could work well set to 28mm, while a fast […] 28mm lens has long been one of my favorites. The field of view would be the same as if you shot video in the 16:9 ratio in camera (which would crop it internally). I also have to say that while many of my favourite filmmakers are wide lens directors, there are also some notable exceptions. I would think that theoretically a telephoto used from a distance would give a healthier compression of both people and environments. Meike Global -Meike (MEKE) Unique Global Official Website Get News about Meike products Buy all Meike products Book products that are not yet on the market Meike Lens ,Meike Battery Grip,Meike Cine Lens,Meike Flash,Meike extension tube ,Meike Hand Grip Talk with us about Meike … Is there something I’m not getting? The UM4,6K EF is “Cinematic” with ? It’s sometimes funny for people who aren’t DPs themselves to watch a cinematographer at work – especially shooting this kind of material. This is definitely a cortex stimulating article especially with all the math involved. Featuring a 180-degree focus rotation, this lens is available in EF, E and PL mounts with lens support foot and cap included. Featuring a 180-degree focus rotation, this lens is available in EF, E and PL mounts with lens support foot and cap included. Limited Company Finance Specialists. But in short, it’s good news – the lens you have should work perfectly for a true cinematic 28mm look. Mainly because the 28mm look I’m referring to is on a Super 35 camera (which is a crop). 28mm: Aperture: T1.5 to T16: Number of Diaphragm Blades: 9 (Rounded diaphragm) Close Focus 1: 0.30m / 1' Image Coverage: FF Φ43.3: Front diameter: 95mm: Filter Size: 82mm: Length: EF mount 2: 107.7mm: E-mount 3: 133.7mm: PL mount 4: 99.7mm: Weight 5: EF mount: 1300g/45.85oz: E-mount: 1360g/47.97oz: PL mount: 1210g/42.68oz: FF 6: 65.5° S35 7 Amazing, so glad to hear it worked out for you Charles! Voigtlander make/made a great 28mm. If you’re happy with them, I’d say stick with them! make a Cinematic movie say something like pulp fiction or 310 to for that as well! When interviewed, it was going for a modern look, and he always shot in singularity. The SIGMA Corporation is pleased to announce the development of three new SIGMA CINE lenses in the FF High Speed Prime Line: 28mm T1.5 FF, 40mm T1.5 FF and 105mm T1.5 FF. I believe on the GH5 you would want to use a 14mm lens, since the crop is about 2x. Actually, 1.235 is SMPTE combined with 20th Century Fox (calculated to be 44.1 degrees). I’m hoping to achieve some specialty shots Moviewise, I do think it’d be good for tracking behind the subject style wide shots. Great article. Appreciate you sharing it here for everyone. Your thoughts on the best 28mm Super 35mm equivalent? BitTorrent Is Changing The Face Of Self Distribution For Independent Films With This Disruptive New Platform - Could Your Film Be Next? If you set it to APS-C mode you will achieve this exact look.